Our Work

 
 

Commercials & Television

Commercial Color and Finishing are equal parts art, science and hospitality. As artists, our color and visual effects team bring passionate, award-wining talent that can elevate a Creative Director or DP’s vision beyond expectation. Supporting our artists’ creative vision is good science. As Chromaticians and students of the constantly evolving world of cinematography, image acquisition, and digital post production, Cinelicious innovates workflows and leverages digital technologies to keep you on the leading edge of what’s possible, delivering content from iPad mini to 4K Giant Screen and everything in between. We also offer clients who shoot film unrivaled, in-house, multi-format (S8mm,16mm, 35mm) film capabilities with our bleeding-edge 4K pin-registered HDR Scanity film scanner.

“Harley and the Davidsons” Trailer

Client: Discovery Channel
Director: Peter McKeon

Shark Week-“Shark and Awe”

Client – Discovery Channel
Director – Peter McKeon

Discovery Channel – Shih Tzu

Client: Discovery Channel
Director: Peter McKeon

COSMOS – Main Title Sequence

VFX/Design: Big Block
Final Color: Lynette Duensing

Infiniti Q50L

Agency – TBWA Beijing Goliath
Director – Charles Paek

Acura TLX

Agency – Mullen Lowe LA
Executive Producer: Peter King

 
 

Feature Films & Shorts

We love movies – new and old, big and small. We are continually leaning in to the bleeding edge to bring our clients the best picture technically and aesthetically possible and have just completed build out on our 4K DI Theater, one of the first of it’s kind allowing realtime color grading while viewing True 4K resolution from 4K DLP projection.4K it is the standard of theater chains and now even the living room… TV manufactures are all producing 4K “Ultra HD” televisions for the home. At Cinelicious, while we handle high-resolution digital cameras with ease, we love using our Scanity HDR 4K Film Scanner to showcase gorgeous 35mm film at its true resolution, a beauty you likely have yet to behold.This year, as you are in pre-production for your next feature and considering the F65, RED, Alexa or 35mm, we encourage you not to make the decision by looking at a spreadsheet. Instead, we invite you and your DP to stop and feast your eyes on what we can offer you.

We are currently serving up Digital Intermediates at up to 4K resolution from 16mm, 35mm and all Digital Cameras. No matter what the format, our creative and technical teams will throw their passion and talent behind your picture.

DON’T WORRY, HE WON’T GET FAR ON FOOT

Directed by Gus Van Sant
DP: Christopher Blauvelt
Amazon Studios
CINELICIOUS: Dailies, Conform, Final DI Color & Mastering

CERTAIN WOMEN

Directed by Kelly Reichardt
DP: Christopher Blauvelt
Sony Pictures
CINELICIOUS: Color & Mastering, Digital Film Restoration

ENTERTAINMENT

Directed by Rick Alverson
DP: Lorenzo Hagerman
CINELICIOUS: Final DI Color & Mastering
Magnolia Pictures

TOO LATE

Directed by Dennis Hauck
DP: Bill Fernandez
CINELICIOUS: Final DI Film Scanning, Conform, Digital Film Restoration

BOYHOOD

Directed by Richard Linklater
DP: Lee Daniel + Shane F. Kelly
CINELICIOUS: Final DI Film Scanning, Conform, Digital Film Restoration
IFC Films
BERLINALE 2014 | Silver Bear

LOW DOWN

Directed by Jeff Preiss
DP: Christopher Blauvelt | S16mm
CINELICIOUS: Dailies, 2K DI Film Scanning
SUNDANCE 2014 | Best Cinematography

 
 

Film Restoration

The combination of our cutting edge Scanity 4K and Lasergraphics ScanStation scanners, our best-in-industry software and most importantly, our creative team of artists and technicians with the understanding of film and discerning eye for color, make Cinelicious the studio that has the tools, talent and vision to breathe new life into old film.

FUNERAL PARADE OF ROSES (1969)

Directed by Toshio Matsumoto
35mm black & white
grading & restoration

PRIVATE PROPERTY (1960)

Directed by Leslie Stevens
35mm black & white
4K scanning, grading & restoration

BELLADONNA OF SADNESS (1973)

Directed by Eiichi Yamamoto
35mm color animation
4K scanning, color grading & restoration

DEATH VALLEY DAYS (1952-1970)

450+ episodes
35mm/16mm color and black & white
2K scanning, color grading & restoration

THE FILMS OF ANA MENDIETA

Directed by Ana Mendieta
Archive of super-8 and 16mm color films
Scanning, color grading & restoration

SON’S RETURN (1909)

Directed by D.W. Griffith
from original 35mm 1-perf Biograph negative
4K scanning, grading & restoration